Wednesday, March 30, 2011

Manga Hub III: What Your Responses Told Me About Shakespeare and Manga

This is the third part of the Manga hub, or series of posts that gather key information on my research. My thesis is that manga is a sound media to express Shakespearean plays. In class yesterday, I took a poll to see if the class could identify the scene and characters from a page out of the British made manga version of Romeo and Juliet when placed next to another random page out of the manga Basalisk, issue number 34, a totally random choice on my part. The page below is from Basalisk.
Basilisk 34 - Page 5

Monday, March 28, 2011

The Zuckerberg Experience

My Expectations
I did not know that this whole event was organized by Senator Hatch, or else I might have lowered the bar a few totems. However, I only saw Mark Zuckerberg on the headline for the forum, therefore I assumed that the student body would be enlightened by some presentation on the origins of Facebook and the benefits of social marketing.

Sunday, March 27, 2011

Looking Back

Technically, this bird is looking side to side, but the backwards head gets the point across.
The blog has come a long way since my early days of interpreting a sonnet every Saturday. I dispensed with that practice because I am focusing on my thesis: Manga is a valid method of presenting Shakespeare, and the literary criticism. Though Professor Burton told me I could combine my research project with the literary criticism demands of the learning goals, I have found it rather difficult to incorporate the two into a coherent, blog worthy thought. Therefore, I will research the two aspects individually, unless I can find a good question for the doctor, perhaps asking if printed words combined with animation affect the brain differently than words alone. I have overdone the creative side of the learning, having participated in the Shakespeare Flash Mob, involving myself in the puppet show being filmed this Wednesday (I spent $30 on puppet making materials), and finishing In Her Defense. I have all of my sources on the source page, I just have to get everything in order, a task I plan on spreading out for at least a few days.

Sunday, March 20, 2011

Shakespeare and a Therapist II: Getting Into Hamlet's Head

The Project
In order to fulfill the requirement I set for myself to learn about psychological criticism's interpretations of Shakespeare, I decided to ask an expert in the field of psychology some basic questions regarding the characters in some of Shakespeare's works. I started the conversation a few articles ago. Dr. Reynolds has yet to email me back on this latest response I gave to his email back to me.


My letter to the Doctor
Dear Doctor Reynolds,
thank you for responding to my last email. Your response took some research, but I found a few valid sources after I made my initial psychoanalytic evaluation of Hamlet.


My View of Hamlet
Though there have been some performances I have heard about that portray Hamlet with the assumption that he has gone mad through the grief brought on by the loss of his father, each time I have read the play I gather that he puts on the facade of madness to cover his tracks while he haphazardly attempts to find whether or not the ghost of his father is a demonic impersonator and liar or a messenger of tragic truth. Even when he finds the truth, his tragic flaw (hesitation) robs the play of justice and replaces it with a blood bath. I think this psychological flaw of not acting out of fear or uncertainty allows for Shakespeare to send a message against those who hesitate their life away. Therefore, it is not Hamlet's madness that disturbs me, but his sanity. His id, ego, and superego are not balanced. The superego has too much of a sway in Hamlet's actions. Thus, it is clear that a conscience that is too strict is just as dangerous as a mind too focused on self gratification.

Thursday, March 17, 2011

Shakespeare or What?

Bryan and Martin are Geniuses
I had quite the enlightening conversation with Bryan and Martin last class period. In light of that conversation, I spent a VERY LONG TIME trying to white out all of the dialogue in these pages of manga in order to either prove a point or look like a total idiot. All those who read this post, please leave a comment saying which of these mangas is a scene out of Romeo and Juliet! Manga 1 or manga 2?
manga 
manga 001

Tuesday, March 15, 2011

Manga Hub II: Psychological Progress of England and Japan

It Began
I found myself lost on how to combine Manga with any form of literary criticism, until my last post. I noticed how I started comparing Japanese culture with Elizabethan culture, more to prove that the subjects brought up in Shakespeare's plays are universal rather than to prove the two cultures nearly identical. Carrying on in the spirit of the last post, I decided to have a bit of a research session dedicated to the development of psychology among the two nations.


Elizabethan Practices
Judge all you want, but this is how I envision a crazy Elizabethan.
.......I found an incredible article called Shakespeare and Medicine. I wanted to focus on the psychological side of the article, so I only quoted part of it here: 
Besides plague, venereal disease, and other afflictions of the body, mental illness and its symptomsincluding depression, obsessive-compulsive disorder, and recitations of gibberishwere commonplace in Shakespearean London. In fact, because treatment was virtually nonexistent for the mentally disabled and because most of the mentally disturbed roamed freely for lack of institutional care, London and other European cities teemed with the eccentric, the paranoid, the schizophrenic. When Shakespeare ventured forth on the streets of London, he entered an alfresco asylum. All he had to do was etch images in his memory and he had raw material for his plays. .In his dramas, both mental and physical illness sometimes inhabit the same character at the same time. For example, in Richard III, Richard exhibits the symptoms of kyphosis (hunched back) and psychopathy (asocial and amoral behavior), which shape him into a grotesque killing machine. In the opening lines of the play, Richard soliloquizes on his appearance and his mindset: 

Sunday, March 13, 2011

Manga Hub Time: Do the Japanese Get it?


Where I Began
In my pondering of Manga and Shakespeare, I have often returned to asking whether or not the Japanese culture can accurately interpret the elements of Shakespeare. Though manga as a genre has escaped the boundaries of Japan, the fact that it originated on the island nation allows many of the techniques and styles within manga to be drawn from historical and cultural elements of the Japanese. Therefore, I wanted to analyze important elements of the culture presented in Shakespeare's Elizabethan plays and see if there were any comparable elements in Japan's cultural history.

What I Did
I started by gathering awesome images on "Google images" which became my chief export for this section's research. There were some graphics that barely needed any explanation, but fit right into my comparison goal.


Class
Japanese Class System

Thursday, March 10, 2011

Shakespeare and a Therapist


The Rundown
I needed to post about literary criticism, and I thought who better to speak on the matter than my favorite psychologist Doctor Reynolds. I found out that he is not only a psychologist now, but a fairly successful novelist. He is using his psychological background to narrate the inner workings of an arsonist, and letting the world know about the many fires in Southern California. I gave the good doctor an email with these questions, hoping he would answer each one individually on his own time:

Thursday, March 3, 2011

Manga and the Mind

The Research

I found this great Article that Supports my idea that Manga is one of the best medias to present Shakespeare to modern audiences. I was going to just post a link to it, but I am going to use this article often so I wanted to have it on hand.

Top tips for teaching with manga

The Manga Shakespeare editorial team is led by a leading Shakespeare scholar and an educational editor. Advised by teachers and other educationalists, the team is expert in making serious works of literature more accessible.
Plays in the Manga Shakespeare series are abridged to allow teachers to focus on key scenes, while following Shakespeare’s text. Manga is a proven teaching tool and is widely used as an instruction medium in Japan. In the UK, use of manga and other new media has been endorsed by The Scottish Office NATE, The Reading Agency, and the Quality and Curriculum Authority in meeting the needs of students studying English.